![]() ![]() All that is very similar with the TD1601, although here the screws for levelling the height of the internal MDF support are accessible from below. In terms of quality these were okay, but their appearance was quite arbitrary.Įnter the TD1601, which is supposed to continue the brand's rich tradition that had previously been lost track of, and which implements the "Thorens DNA" in a familiar yet distinct way: In addition to its straightforward, then style-defining appearance of the frame, there is the characteristic belt drive as well as the sub-chassis supported on three conical springs, which decouples the turntable and tonearm from cabinet and ground. General tenor: finally a real Thorens again! Previously, the brand had attracted some criticism with its inconsistent model policy, in which mass and sub-chassis drives of all kinds seemed to have been randomly thrown together. They received many approving reactions, some even gently stroked over the flawless gloss finish of the black or walnut frame. ![]() It also seems like these parallels were usually recognized with great joy and no sign of boredom wherever prototypes of the new turntable were on display. And you really don't need to be a Thorens expert to immediately notice the similarities right up to the authentic looking platter mat. This is the ancestor of the manually operated TD1600 and the semi-automatic TD1601, which is equipped with an elaborate auto return. One of these 70s Thorens stars was the TD160 which was captivatingly simple on the outside but had a big musical heart inside. ![]()
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